Rust cohle analysis7/29/2023 “It’s a form of meditation,” Rust states. “Well, what do you got that cross for in your apartment?” Marty confusingly responds. After leaving the scene of the crime in the first episode ( “The Long Bright Dark”), Marty recalls the crucifix he noticed earlier in Rust’s apartment, clearly uneasy about what they just saw, and likely seeking the comfort of one he assumes shares his beliefs: “You’re Christian, yeah?” “No,” Rust forcefully replies. Most of the season takes place during 1995, following an elaborate and strange murder: a nude victim posed against a large tree, kneeling, with antlers secured to her head, surrounded by various, eerie objects made out of twigs and twine. The first season of HBO’s noir anthology series True Detective begins with an intriguing discussion between Louisiana homicide detectives Rust Cohle and Marty Hart about an item hanging on the wall in Rust’s apartment: a crucifix. Rust Cohle’s peculiar interpretation of the crucifix in the first season of HBO’s True Detective can be better understood through the interpretive lens of semiotics and an application of Roland Barthes’ notion of “myth.” Such an analysis actually frames Rust’s interpretation as one parallel to the typical sort of sacrificial and representative reading the image usually invites.
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